Interview in “Britain’s Secret Charity Cheats” on BBC One

  1. Today (6 June 2018) I appeared in a BBC One TV programme, “Britain’s Secret Charity Cheats”, which went out at 09:15. My interview was filmed at the end of March.
  2. It was episode three of a five-part series being shown at the same time this week, Monday to Friday.
  3. Thankfully, the experience was much better than with an earlier BBC TV programme (see 8 January 2018 post). For a start, there was no intentional plagiarism of facts and images from my blog this time.
  4. Britain’s Secret Charity Cheats” – a title that requires no explanation – is available on the BBC iPlayer: https://www.bbc.co.uk/programmes/b0b6512p.
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Five concerns about the first accounts of Veterans Council

  1. The wait is over. Charity Veterans Council (registered charity number: 1159215) recently filed its long-overdue first accounts at the Charity Commission, those made up to 31 March 2016. Only a year late! For that first year, the charity register shows income of £75 942 and expenditure of £72 975 (screen shot in Figure 1). Before describing five concerns about the accounts, I’ll explain why I was awaiting submission of the relevant documents at the commission.

    Figure 1. Veterans Council (registered charity number: 1159215): Charity Commission at 24 February 2018

  2. Based in Lytham St Annes, Veterans Council (1159215) is linked to another north-west military charity also called Veterans Council (registered charity number: 1140336). Veterans Council (1140336) was removed from the Charity Commission public register on 29 July 2015.
  3. Veterans Council (1140336) is of interest for many reasons (see 17 October 2016 post). Here’s two. First, the small, local charity was awarded £0.5m from the government’s Armed forces covenant (LIBOR) fund in June 2013. Second, I exclusively revealed that no accounts show how the charity actually spent the £0.5m grant.
  4. I showed that the last accounts Veterans Council (1140336) filed at the commission, those for financial year ending (FYE) 31 March 2014, were incomplete. The table of contents lists pages not actually in the document submitted to the commission. Among pages seemingly missing is the “income and expenditure account”, so there’s no breakdown of the charity’s spending that year after the first injection of money from the LIBOR fund. And, of course, Veterans Council (1140336) didn’t file accounts the next year, for FYE 31 March 2015, either. So the question remains: how exactly did Veterans Council (1140336) spend the £0.5m from the LIBOR fund?
  5. Veterans Council (1140336) was based in St Helens. My 17 October 2016 investigation was reported in The Wigan Evening Post newspaper on 9 November 2016 (https://www.wigantoday.net/news/charity-chief-says-claims-are-untrue-1-8226307). There Des White, chair of Veterans Council (1140336), dismissed my points about the failure of his charity to report formally what it had actually done with the £0.5m grant. Mr White added that the new Veterans Council (i.e. 1159215) would in due time produce accounts, ensuring transparency and accountability.
  6. So let’s examine the first accounts of Veterans Council (1159215). As I say, they were a year late, which is a bad sign. And remember: the charity register shows income of £75 942 and expenditure of £72 975, for the first year (up to 31 March 2016). Here are five concerns about the accounts.
  7. First, the accounts don’t show the income and expenditure reported on the charity register (screen shot in Figure 2).

    Figure 2. Veterans Council (registered charity number: 1159215): accounts for 31 March 2016, p1, at 24 February 2018

  8. Second, it appears section A of the accounts, “Receipts and payments”, hasn’t been completed correctly: see the breakdown in section A1, “Receipts”, for example (Figure 2). There the data seem to be expenditure.
  9. Third, there’s no evidence of an independent examination of the accounts. This is a critical omission. In other words, Veterans Council (1159215) hasn’t provided evidence of the required external scrutiny of its accounts – here an independent examination. (Charity law requires charities with an income above £25k to have some form of external scrutiny of their accounts.)
  10. Fourth, the linked trustees’ annual report for the period fails to explain the itemised apparent expenditure in the accounts. So who received the “salaries” of £54 125 and why? Similarly, the “rents” of £21 480: who received these and why? Etc.
  11. Fifth, the trustees’ annual report is inadequate. It contains almost no detail on the alleged activities of the charity.
  12. In conclusion, both Veterans Council (1140336) and Veterans Council (1159215) filed inadequate accounts at the Charity Commission. It’s obviously disappointing the charity regulator seemingly failed in both cases to identify the problems – and didn’t act on them. What’s worse, these aren’t independent charities: my findings about Veterans Council (1140336) should have made the commission vigilant about the linked Veterans Council (1159215). At the time both I and The Wigan Evening Post contacted the charity regulator about my 17 October 2016 investigation.
  13. I requested a comment from the Charity Commission on the five concerns about the first accounts of Veterans Council (1159215). On 20 February 2018, a spokesperson said in an email: “I can confirm that we are looking into these concerns and will be contacting the charity about them.” I also requested via email a comment from Edward Nash, chair of and contact for Veterans Council (1159215). In his response on 23 February 2018, Mr Nash refused to address my concerns.

The Great BBC Plagiarism Scandal

  1. Here I show what I consider to be intentional plagiarism of facts and images from my blog by those responsible for a BBC TV programme broadcast in November 2016. The three-stage BBC complaints process was inadequate in so many ways – both process and outcome. The trusted public-service broadcaster displayed arrogance throughout as it fobbed me off with evasive and obfuscatory responses. The lessons are many – but two stand out. First, the BBC sees nothing wrong in what I allege to be its unethical conduct. Its position would be laughable if it wasn’t so serious. Second, the BBC can’t be trusted to deal with complaints about its journalism. Self-regulation by the BBC is no regulation.
  2. What do I mean by plagiarism? This definition from the University of Oxford website for its students is as good as any: “Plagiarism is presenting someone else’s work or ideas as your own, with or without their consent, by incorporating it into your work without full acknowledgement. All published and unpublished material, whether in manuscript, printed or electronic form, is covered under this definition. Plagiarism may be intentional or reckless, or unintentional.”
  3. The Great Military Charity Scandal” was on BBC One Scotland on 8 November 2016 at 19:00 and available on the BBC iPlayer afterwards. It was made by BBC Scotland Investigates. I haven’t written about the TV programme until now because I was following the BBC complaints process – and then that of communications watchdog Ofcom.
  4. On 28 January 2017, I wrote about the announcement by charity regulator the Charity Commission that it had opened a statutory inquiry into charity Support The Heroes (STH; registered charity number: 1155853) and appointed an interim manager. The relevant commission press release, the link for which is in that post, refers to the TV programme in its “notes to editors.”
  5. Liam McDougall was the producer of “The Great Military Charity Scandal.” He first contacted me about his programme on 8 January 2016, referring in an email to the “great work” I’ve been doing on charity fraud and abuse, particularly military charities. This is on my blog, dralexmay.wordpress.com. My charity investigations have been reported in national newspapers: The Sunday Times, The Mail on Sunday, The Times, The Daily Mirror and BuzzFeed (news website). Ive also twice appeared as a live studio guest on BBC Radio 5 live programme, 5 live Investigates, to discuss my findings. In 2016, influential Frank Field MP tabled two written parliamentary questions to the Work and Pensions Secretary after one of my charity exposés.
  6. My 28 January 2017 post gives the background on the commission’s actions on STH, describing the role of Tony Chadwick of Blackpool, his rip-off fundraising companies and three linked military charities, all high-profile: Afghan Heroes (AH), Our Local Heroes Foundation (OLHF), and STH. Each, separately, continues to be the subject of a live statutory inquiry by the charity regulator. FOR EACH CHARITY IN TURN, I BROKE BOTH THE LINK TO MR CHADWICK AND ITS SIGNIFICANCE, AS WELL AS FAILURES OF REGULATION.
  7. I first wrote about STH and its link to Mr Chadwick on 21 April 2015. It was my scoop. Thus the programme-makers were guided by my revelations then and thereafter.
  8. My proof of the link was critical to the programme: both Mr Chadwick and STH had actively tried to hide their working together (see blog, passim ad nauseam).
  9. As I wrote on 28 January 2017, my first post about STH, on 21 April 2015, exclusively exposed almost all the issues the commission said in January 2017 it wants its statutory inquiry to investigate.
  10. My 28 January 2017 post acknowledges the Walter Mitty Hunters Club HQ (WMHCHQ), a Facebook group, for its interest in my work on STH, and help publicising it. There I also state when the group first contacted me about the charity, thus proving I exclusively exposed STH.
  11. WMHCHQ wouldn’t have allowed or continue to allow me to present my dealings with the group as described in the 28 January 2017 post unless accurate. WMHCHQ don’t hold back, online or offline. Nor do its followers.
  12. In addition, the WMHCHQ timeline itself confirms the timeline of events for STH.
  13. Prior to the TV programme, there were three related publicly available sources for the connection between Mr Chadwick and STH. The three are in chronological order: my blog; WMHCHQ; and The Sunday Times (2 October 2016). Both WMHCHQ and the newspaper, separately, credited me as source. Yet “The Great Military Charity Scandal” failed to acknowledge me in any way. Thus the programme-makers intentionally plagiarised facts from my blog.
  14. So what about STH was new in the TV programme? Well, BBC Scotland Investigates secretly filmed STH representatives misleading the public as to how much of the £2.50 price of a prize draw ticket actually goes to the charity. The representatives were in fact working for Mr Chadwick‘s company, Targeted Management Limited (registered company number: 09036445) – a Blackpool firm incorporated in May 2014, whose activities this blog has exclusively exposed. Long-time readers of the blog won’t be surprised in the slightest by the programme’s filmed evidence. For years I’ve repeatedly written about my own and others’ experiences with Mr Chadwick‘s rip-off fundraising companies and their work for AH, OLHF and STH. My first 5 live Investigates programme in November 2014, for example, reported different people’s experiences of unsatisfactory and misleading encounters in shopping centres around the UK with OLHF representatives controlled by Mr Chadwick (see 10 November 2014 post). The OLHF representatives were flogging prize draw tickets – as were the AH representatives before them (see blog, passim ad nauseam). Mr McDougall obtained both my 5 live Investigates programmes and listened to them. I know because he told me.
  15. As well as plagiarising facts from my blog, the TV programme intentionally plagiarised images. Images only available on my blog were shown without credit or attribution. These images include, but aren’t limited to, the identifiable AH prize draw ticket, a key piece of evidence. The identifiable images were central to the programme. And the images had to be accurate and trusted for the BBC to show them on TV. Put simply, the source had to be credible. I’m the “UK’s expert,” as Mr McDougall said to me several times. It’s simply indefensible to use my images without due acknowledgement.
  16. Another indication of the importance of my images of particularly the AH prize draw ticket in “The Great Military Charity Scandal” is the fact one of them (my images of the AH prize draw ticket) appears prominently in the official 31-second trailer, too: http://www.bbc.co.uk/programmes/p04f16bk.
  17. As I say, here my focus is the intentional plagiarism of facts and images. Nevertheless there are many other matters I complained to the BBC about in relation to its TV programme. From January 2016, for example, I spent tens of hours talking on the phone and corresponding with the producer. He told me at the outset hed interview me on the programme – and repeatedly reminded me of the fact. Further, I lent him highly sensitive, original documents: I gave them to him in person in Manchester city centre in July 2016. (Mr McDougall was accompanied by the programme’s reporter, Sam Poling, that day.) He promised hed return them in person. I didn’t stipulate delivery that way: nevertheless he said he would, and as soon as possible. At 5 December 2016the date of my first formal complaint to the BBC – I still hadn’t received my original documents. I finally received them – without apology or explanation for the delay – at the end of January 2017!
  18. On 8 November 2016, I complained to Mr McDougall in an email: Do you think I’d have spent so much time talking and corresponding with you if I’d known that you weren’t in fact going to interview me, let alone credit me in any way?” He didn’t reply.
  19. I formally complained to the BBC on 5 December 2016 in an email to the Director-General, Lord Hall, because he’s Editor-in-Chief. Imagine my surprise when I received the BBC’s response to my first formal complaint: it was written by Mr McDougall! It’s self-evidently unsatisfactory for Mr McDougall to consider my complaint on behalf of the Editor-in-Chief. Further, I regarded his response to be unacceptable for several reasons.
  20. So I escalated my complaint to the BBC explicitly calling for independent consideration of my complaint for the process to be credible. I also stated disclosure of emails was essential after allegations made by Mr McDougall in his response for the BBC. So who now handled my second formal complaint for the Editor-in-Chief? The programme’s executive producer, Daniel Maxwell!
  21. Mr Maxwell failed to request any emails from me. There was no evidence in his response he’d scrutinised my blog, either. And, again, I found his response to be unacceptable for several reasons.
  22. Thus I had no option but to escalate once more my complaint to the BBC – to its nominally independent Executive Complaints Unit (ECU). There my complaint was handled throughout by BBC complaints director, Colin Tregear.
  23. Mr Tregear instigated disclosure of emails – at last.
  24. I shall now examine how each of the three BBC responses dealt with the alleged intentional plagiarism of facts and images.
  25. First, here’s what Mr McDougall said: “All of your posts are published on a public forum, and are freely accessible via an open-source search of the internet.” He added: “… It is entirely untrue for you to suggest that you somehow hold the exclusive rights to information about Tony Chadwick, Afghan Heroes, Support the Heroes or Our Local Heroes Foundation. As I say, there is much publicly available information about these organisations and indeed your posts themselves place the information in the public arena.” Astonishingly, the producer also wrote: “And surely, given that the facts have been published by you means that by definition the information is public and freely available?” And another vague statement: “Concerns had been published extensively by numerous media and social media outlets, and by the Charity Commission itself.”
  26. True, my blog is accessible to all – but use by a third party of the information published there, including images, requires credit and attribution. Otherwise it’s intentional plagiarism. Prior to the TV programme, the link between between Mr Chadwick and STH was exclusively broken by me – and then picked up in turn by WMHCHQ and The Sunday Times (see above). Both, separately, acknowledged me as source. The BBC did not.
  27. Now onto the BBC’s second response, from Mr Maxwell. He said: “On the allegation of plagiarism, it is untrue to say that our producer ‘intentionally plagiarised’ your blog. As you know, for many months the BBC was in discussion with you about the nature and content of some of the BBC investigation. The fact that we featured individuals like Tony Chadwick and the charity Support the Heroes would have been no surprise to you. In fact, our producer had discussed some of the detail we would feature in the programme with you and you were entirely happy for us to do this. That said, every piece of information contained in the programme was gathered, checked and verified beyond something simply being repeated from your blog. Everything was corroborated independently of any single source. In addition, information regarding concerns about Mr Chadwick, Afghan Heroes and Support the Heroes used in the programme was already public. Concerns had been published extensively by numerous media and social media outlets, and by the Charity Commission itself.”
  28. Note Mr Maxwell‘s vague final sentence there. Sound familiar? He copied it from Mr McDougall! (see above) As you can see, the executive producer, too, ignored the provenance of the published evidence for the link between between Mr Chadwick and STH. He also said nothing about use of images from my blog without due acknowledgement. On the alleged plagiarism, then, Mr Maxwell was as evasive and obfuscatory as Mr McDougall before him.
  29. Finally, what did Mr Tregear of the ECU say? On the intentional plagiarism of facts, he wrote: “… I understand you may have been the first person to uncover information about Tony Chadwick, his businesses, his links with military charities such as Afghan Heroes and Support The Heroes and failures of regulation. However, to the best of my knowledge, you were not the only source for the information which was included in the programme and much of the information was already in the public domain.” The BBC complaints director concluded: “… I appreciate why you say you should have been credited in the programme and I can understand why you are annoyed that didn’t happen. However, I cannot agree there was intentional plagiarism of your work bearing in mind much of what you had written had been repeated elsewhere in the media and in official reports.”
  30. On the intentional plagiarism of images, meanwhile, Mr Tregear stated: “… The BBC’s Editorial Guidelines include guidance on the use of pictures from social media and third party websites [9]. It recognises that material which has been put in the public domain via publication on a website or social media may be re-used but programme-makers should consider the original intention in publication and the impact of any re-use. The guidance says ‘A picture available without meaningful restrictions on a website may be considered to be in the public domain and the media may consider that it has the right to exploit it – but that does not always make it the right thing to do.‘ In this case, I think the manner in which the images were re-used matched the original use, namely illustrating the activities of military charities, and there were no particular privacy issues arising from their use. I therefore cannot see how the use led to a breach of the BBC’s editorial standards.”
  31. Thus the BBC complaints director dismissed my allegations of intentional plagiarism. He finished: “…This will be the BBC’s final finding on your complaint unless there are reasons to modify or amend it in light of any comments you may wish to make.” So I duly sent comments as I was not satisfied with his rationale for dismissing my allegations of intentional plagiarism.
  32. The chronology, I pointed out, is critical: how and when did facts become first uncovered and reported? It’s self-evidently unacceptable to not credit me for breaking the relevant stories, particularly the link between Mr Chadwick and STH. On the intentional plagiarism of images, meanwhile, I said his response would be laughable if it wasn’t so serious. Privacy isn’t relevant here. It’s simply indefensible, I repeated, to use my images without due acknowledgement.
  33. In his reply, Mr Tregear said he saw no reason to amend his decision. In particular, he stated: “I agree it would have been courteous to acknowledge your role [in breaking the link between Mr Chadwick and STH] but as I said in my letter of 18 July there is nothing in the BBC’s Editorial Guidelines which says sources of information have to be given public credit; the requirement is to ensure material is checked and verified.”
  34. Because I was so dissatisfied with the BBC’s final decision, I still wrote back. There I also brought to Mr Tregear‘s attention the fact he’d referred in his last letter to Save The Heroes” (sic), not STH. There was no response, no correction.
  35. Having exhausted the BBC’s complaints process, I submitted a complaint about the alleged intentional plagiarism to communications regulator Ofcom, which now regulates the BBC, too. Unfortunately, it said in a letter my complaint failed to “engage any rules in the Code [Ofcom Broadcasting Code] and is therefore out of our remit”.
  36. My experience with the BBC should be a warning to any individual or organisation that undertakes and publishes original investigations. According to its complaints director, the BBC could use facts you’re the first to uncover and report – but without crediting you in any way. It could without due acknowledgement use images you exclusively publish, too.
  37. Then there’s something else: BBC Scotland Investigates, remember, made the TV programme. Plagiarism is self-evidently unacceptable and unethical. It’s even worse when the journalism styles itself as investigative.
  38. Never mind “The Great Military Charity Scandal.” This is surely The Great BBC Plagiarism Scandal.

What Charles Moore failed to disclose about “wonderful” charity Style for Soldiers

  1. On 30 October 2017, Charles Moore wrote about “wonderful” charity Style for Soldiers in his notebook column in The Daily Telegraph newspaper: Daily Telegraph 30 Oct 2017. But he failed to disclose something relevant – colleague Lisa Armstrong, Telegraph fashion director, is a trustee of the charity that provides bespoke clothes for wounded soldiers.
  2. The “Fashion Journalist of the Year” hasn’t just become a trustee. Ms Armstrong was a founding director – that is, trusteewhen the charitable company was incorporated on 13 November 2012, according to Companies House records (registered company number: 08291711). The Charity Commission public register of charities confirms her as a trustee (registered charity number: 1161119).
  3. It may be “wonderful” as former Telegraph editor Mr Moore says, but Style for Soldiers seems to be confused about the difference between patron and trustee. Ms Armstrong is identified as a patron on the charity website (screen shot in Figure 1). Shirtmaker Emma Willis set up Style for Soldiers.

Figure 1. “Patron” Lisa Armstrong: Style for Soldiers homepage at 2 November 2017

  1. This isn’t the first time the military charity has appeared in The Telegraph, however. On 17 December 2016, for example, Ms Armstrong wrote a gushing profile of founder and trustee Ms Willis in The Daily Telegraph, nominating her as woman of the year for her achievements with Style for Soldiers. Here’s the online version: http://www.telegraph.co.uk/fashion/brands/meet-emma-willis-tailor-helping-injured-soldiers-regain-confidence/. Hardly an unbiased nomination. Yet the fashion director didn’t declare her own role at the charity, so readers had no idea of the ridiculousness of the situation.
  2. Almost exactly a year before, meanwhile, then chief reporter Gordon Rayner reported on Style for Soldiers in The Sunday Telegraph (20 December 2015). Again, here’s the online version: http://www.telegraph.co.uk/news/uknews/defence/12058116/Style-For-Soldiers-how-a-charity-has-used-bespoke-clothes-to-restore-wounded-soldiers-confidence.html. Mr Rayner, you won’t be surprised to learn, failed to mention colleague Ms Armstrong. What’s more, an editorial that Sunday, too, plugged Style for Soldiers again saying nothing about the fashion director‘s position there.
  3. The Telegraph has given lots of publicity to Style for Soldiers, almost always failing to declare Ms Armstrong‘s involvement with the charity. Columnist Mr Moore is only continuing the tradition.
  4. Mr Moore hasn’t responded to requests for comment at date of publication.

BuzzFeed re-examines Give Us Time after my investigation

  1. On 29 April 2017, James Ball at BuzzFeed re-examined Give Us Time, a military charity founded in 2012 by Dr Liam Fox MP. This was after my recent investigation (see 20 April 2017 post).
  2. Special Correspondent Ball named and credited me. His report: https://www.buzzfeed.com/jamesball/liam-foxs-military-charity-has-still-helped-just-a-fraction.

Give Us Time: accounts hide provision of flights for founder Dr Liam Fox MP’s staff

  1. The most recent accounts for Give Us Time, a military charity founded in 2012 by Dr Liam Fox MP, hide in two ways its provision of flights for Dr Fox’s staff. First, the two staff members are included within the charity’s beneficiaries, but there’s no indication in the accounts that Give Us Time considers them as such – or why. Second, the flights represent an undisclosed related party transaction between the charity and Dr Fox, the international trade secretary. Yet there were no related party transactions, according to the accounts.
  2. On 21 March 2016, Brexiteer Dr Fox declared on the register of MPs’ financial interests a visit at the end of the previous month to the Balkan Jewel Resort in Bulgaria as part of a group holiday for military families organised by Give Us Time (registered charity number: 1152978). The cabinet minister was accompanied by two staff members, whose return flights to Bulgaria were paid for by the charity, his declaration shows. The accommodation for all three, meanwhile, was donated by the Balkan Jewel Resort.
  3. The charity has recently returned from another group holiday at the Balkan Jewel Resort (screen shot in Figure 1). Give Us Time “takes holidays donated by owners of holiday groups, hotels, holiday homes and timeshares, and matches them with military families in need of rest, rehabilitation and reconnection after tours of duty,” the “About Us” page on the charity website says.

    Figure 1. Give Us Time tweets about recent group holiday at the Balkan Jewel Resort in Bulgaria at 13 April 2017

  4. Something not on the website: Give Us Time began as a collaboration between Dr Fox and Afghan Heroes (registered charity number: 1132340), the notorious failed military charity (see para 32 in my 6 January 2014 post). Dr Fox was a patron of Afghan Heroes, quitting when regulator the Charity Commission announced in December 2013 that it’d opened a statutory inquiry into the charity. That inquiry continues.
  5. Dr Fox’s staff were with him on last year’s group holiday in Bulgaria as “representatives” of Give Us Time, according to his declaration on the register of MPs’ financial interests.
  6. A few weeks ago, Give Us Time published its latest trustees’ annual report (TAR) and accounts, made up to 30 September 2016. Thus both cover the year Dr Fox and two staff members went on the charity’s Bulgaria group trip. Nevertheless neither record the fact that Give Us Time had paid for flights for Dr Fox’s staff.
  7. When I queried the omission, Rupert Forrest, public contact for Give Us Time, said in an email: “I do not believe it is necessary to break out the two flights in the annual accounts.” In response, I asked him to tell me where exactly the value of the two flights is reported in the itemised breakdown of the costs of charitable activities, in note 7, “Activities undertaken directly,” on p.9 of the latest TAR and accounts (screen shot in Figure 2). That is, under which item?

    Figure 2. Note 7, “Activities undertaken directly,” Give Us Time accounts made up to 30 September 2016

  8. The flights, he replied, were part of a group booking, which in turn is included within “Travel and accommodation expenses for beneficiaries.” Thus Dr Fox’s two staff members are classified as beneficiaries, but there’s no indication in the accounts that Give Us Time considers them as such – or why.
  9. The other way in which the charity’s provision of flights for Dr Fox’s staff is hidden is via an undisclosed related party transaction. Yet there were no related party transactions, according to the accounts: see note 12, “Related party transactions,” p.10 of the latest TAR and accounts (screen shot in Figure 3).

    Figure 3. Note 12, “Related party transactions,” Give Us Time accounts made up to 30 September 2016

  10. How did Give Us Time engage in an undisclosed related party transaction? Founder Dr Fox is a related party because he “has significant influence over the reporting entity” (see International Accounting Standard 24 Related Party Disclosures (IAS 24): http://www.iasplus.com/en-gb/standards/ias/ias24). Thus Dr Fox’s receipt, in his name, from Give us Time of return flights to Bulgaria for two staff members is a related party transaction – an undisclosed related party transaction.
  11. When I requested a comment on the undisclosed related party transaction, Mr Forrest said in a one-sentence email: “Give Us Time’s accounts have been prepared in accordance with the Charities SORP.” (The Charity Commission and the Office of the Scottish Charity Regulator issue the Statement of Recommended Practice (SORP) for charities, guidance on their financial accounting and reporting: http://www.charitysorp.org.)
  12. Give Us Time’s response on the undisclosed related party transaction is clearly inadequate because it fails to explain the charity’s statement in the accounts that there were no related party transactions.
  13. The trustees are collectively responsible for Give Us Time’s actions, including its financial reporting. Founder Dr Fox isn’t a trustee, and so can’t be held directly accountable for the unacceptable lack of disclosure in the latest accounts related to his involvement with the charity.
  14. What’s worse, before preparing the most recent accounts, Give Us Time knew that there had been legitimate media interest in the return flights to Bulgaria for Dr Fox’s staff following his declaration: see the BuzzFeed News investigation into the charity, published on 31 July 2016: https://www.buzzfeed.com/jamesball/liam-fox-faces-questions-over-charity-he-set-up-to-help-mili.
  15. Give Us Time’s intended beneficiaries are “military families in need.” The actual beneficiaries, however, include Dr Fox’s two staff members – something hidden in the accounts.

Our Brave Heroes: fake military charity is no more, says Charity Commission

  1. On 16 March 2017, regulator the Charity Commission published a highly critical “case report” on Our Brave Heroes, a fake military charity from – yes, you’ve guessed it – Blackpool. It’s no longer operating, says the commission. Here is the Charity Commission case report: https://www.gov.uk/government/publications/our-brave-heroes-case-report.
  2. It’s taken a while, though: I exclusively exposed Our Brave Heroes on 26 October 2015.
  3. Andrew Penman in The Daily Mirror newspaper then used my investigation as the lead story in his column on 19 November 2015 (see my post that day for a link to his article online). At the end of that year Our Brave Heroes also featured on 5 live Investigates, the BBC Radio 5 live programme, when I appeared again as a live studio guest (see my 21 December 2015 post).
  4. Mr Penman has today (16 March 2017) revisited Our Brave Heroes after the commission’s intervention: http://www.mirror.co.uk/news/uk-news/collectors-brave-heroes-told-generous-10032216.